
Valerie Creighton is an industry leader in arts, culture and media, recognized for reenergizing some of the country’s most important organizations in the sector over the last thirty-five years. An expert in organizational change, Valerie has been recognized as a visionary in promoting Canada’s cultural wealth.
Currently serving as Presiden
Valerie Creighton is an industry leader in arts, culture and media, recognized for reenergizing some of the country’s most important organizations in the sector over the last thirty-five years. An expert in organizational change, Valerie has been recognized as a visionary in promoting Canada’s cultural wealth.
Currently serving as President and CEO of the Canada Media Fund, Valerie positions Canadian programming at the forefront in world markets advocating successful, innovative Canadian content and software applications for current and emerging digital platforms. Valerie has taken part in foreign trade missions and is regularly called upon to present the CMF model internationally.
Valerie was invested into the Saskatchewan Order of Merit in 2016 and the Order of Canada in 2019. She was recognized in 2017 by Women in Television and Film Vancouver for her major contribution to promoting gender equality in media, was bestowed the Honorary Maverick Award at the 2017 Female Eye Film Festival and received C21’s 2020 Content Canada Impact Award. Most recently in October 2021, she was named by The Hollywood Reporter as One of the 20 Most Powerful Women in Global Entertainment.
Valerie holds a Bachelor of Fine Arts from the University of Saskatchewan, has served on a variety of regional, national, and international juries and boards and has produced radio dramas for the CBC in Saskatchewan, where she owns and operates the Red Horse Ranch.

Joanne brings over 40 years of communications experience to the role of Commissioner, with expertise in the broadcast and production industries. She has worked as a television journalist for the Canadian Broadcasting Corporation, formed an independent production company, and served in senior leadership roles in broadcasting. Throughout h
Joanne brings over 40 years of communications experience to the role of Commissioner, with expertise in the broadcast and production industries. She has worked as a television journalist for the Canadian Broadcasting Corporation, formed an independent production company, and served in senior leadership roles in broadcasting. Throughout her career, Joanne has been instrumental in recognizing the needs of Canadians by advocating for consumers and creators and by promoting forward-thinking strategies that foster a thriving digital economy.

A visionary and dynamic leader, Tina Ouellette brings some 30 years of film, television, and digital production experience, including 19 years as an executive producer, as well as a deep commitment to Canadian storytelling.
She joins the NFB after successfully completing her tenure at Global Mechanic, where she served as Executive Producer
A visionary and dynamic leader, Tina Ouellette brings some 30 years of film, television, and digital production experience, including 19 years as an executive producer, as well as a deep commitment to Canadian storytelling.
She joins the NFB after successfully completing her tenure at Global Mechanic, where she served as Executive Producer from 2006 to 2025. She has produced a range of landmark science documentaries, such as Frozen in Time (CBC The Nature of Things/PBS; 2025), Hunt for the Oldest DNA (PBS Nova; 2024) and Carbon: The Unauthorised Biography (ABC Australia; 2021). She has also produced several award-winning films co-produced by the NFB and directed by Newfoundland-born Vancouver filmmaker Bruce Alcock: Long Live the Rose (2009), Impromptu (2013), 54 Hours (2014), and the mobile interactive experience Far Away From Far Away (2020).

Dr. Tasha Hubbard (Cree) is a filmmaker and an associate professor in the Department of English and Film and the Faculty of Native Studies at the University of Alberta. She is from Peepeekisis Cree Nation in Treaty Four Territory and has ties to Thunderchild Cree Nation in Treaty Six Territory. Her feature documentary nîpawistamâsowin: We
Dr. Tasha Hubbard (Cree) is a filmmaker and an associate professor in the Department of English and Film and the Faculty of Native Studies at the University of Alberta. She is from Peepeekisis Cree Nation in Treaty Four Territory and has ties to Thunderchild Cree Nation in Treaty Six Territory. Her feature documentary nîpawistamâsowin: We Will Stand Up opened Hot Docs in 2019, won Best Canadian feature, and won the Canadian Academy Screen Award for Best Feature Documentary. She was also recognized by the Director’s Guild of Canada with the Discovery Award in 2019. She is active in the rematriation of buffalo to the plains ecosystem in alignment with the Buffalo Treaty. Her latest feature documentary, Singing Back the Buffalo, was released in 2024, winning audience choice awards across the continent. Her newest project is Meadowlarks, starring Michael Greyeyes, Carmen Moore, Alex Rice, and Michelle Thrush. It is her first scripted feature film and it premiered at the Toronto International Film Festival as a Special Presentation in fall of 2025, and won the Panoramic Audience Choice award at the Vancouver International Film Festival.

A champion for Indigenous creators, Adam Garnet Jones is Cree-Métis and Danish from Amiskwacîwâskahikan, the traditional name for Edmonton, Alta. With a degree in film production from Ryerson University, Adam worked in the film industry for 14 years, notably as director of Amplify, story editor for a season of Mohawk Girls, and has writte
A champion for Indigenous creators, Adam Garnet Jones is Cree-Métis and Danish from Amiskwacîwâskahikan, the traditional name for Edmonton, Alta. With a degree in film production from Ryerson University, Adam worked in the film industry for 14 years, notably as director of Amplify, story editor for a season of Mohawk Girls, and has written and directed two award-winning feature films: Fire Song and Great Great Great. Adam joined the senior management team at APTN in 2021.
In joint partnership with Telefilm Canada and the Canada Media Fund, Adam developed the dual-function role of Indigenous initiatives lead, in support of Indigenous filmmakers, where he provided leadership and policy advice in 2020. He is a former chair of the Ontario Film Review Board and a long-time board member of ImagineNATIVE. Adam is also a novelist and bead-worker, and calls Toronto home.

As Executive in Charge of Unscripted Development Yasmine works with independent producers to develop factual and documentary programming for CBC. Prior to joining the CBC she worked within Canada’s independent production sector for 20 years.

Remi is the Director of Film Finance for Creative Saskatchewan. He is responsible for leading the Film Department by supporting business attraction initiatives, including administering film production and development incentives, and reporting on metrics and outcomes. Remi also manages locations package delivery and location scout planning
Remi is the Director of Film Finance for Creative Saskatchewan. He is responsible for leading the Film Department by supporting business attraction initiatives, including administering film production and development incentives, and reporting on metrics and outcomes. Remi also manages locations package delivery and location scout planning. Remi has a strong background with multinational accounting firms such as KPMG and Deloitte, as well as the Saskatchewan Ministry of Finance.
Remi holds a Bachelor of Business Administration, Certificate in Economics, Certificate in Entertainment Law, and is a Chartered Professional Accountant.
In his spare time, Remi is active in recreational sports, and enjoys camping, hiking, fishing, and cycling with his wife and friends.

Christine is a seasoned professional with a background spanning film production, not-for-profit management and project consulting. Hailing from Saskatchewan, she brings a personal connection to the National Screen Institute’s mission and values, as well as to the expansive prairie landscape that has shaped her journey.
She has worked for i
Christine is a seasoned professional with a background spanning film production, not-for-profit management and project consulting. Hailing from Saskatchewan, she brings a personal connection to the National Screen Institute’s mission and values, as well as to the expansive prairie landscape that has shaped her journey.
She has worked for institutions including the National Film Board, the DOC Institute and numerous independent production companies. Her notable works, including the impactful films
Barefoot and A Better Man
, have not only garnered critical acclaim but also played a pivotal role in shaping her career trajectory. Through their unique and compassionate approaches to community engagement during production and distribution, these films stand as testaments to Christine’s commitment to meaningful storytelling and social impact.
An advocate for filmmakers, Christine has a deep-seated commitment to supporting film making talent in Canada. Her dedication to fostering creative growth and amplifying new voices is motivated by guiding principles of equity and accessibility.
A proud mother of two teen boys and one derpy golden retriever, Christine spends her time walking, watching and listening to the stories around her.

As Director of Partner Support at the National Screen Institute, Chris builds and maintains relationships with government and industry supporters while overseeing the fulfillment of deliverables for all partners and the organization.
With more than 30 years of experience in communications, Chris joined the National Screen Institute in 2003
As Director of Partner Support at the National Screen Institute, Chris builds and maintains relationships with government and industry supporters while overseeing the fulfillment of deliverables for all partners and the organization.
With more than 30 years of experience in communications, Chris joined the National Screen Institute in 2003 and has held several roles including publicity, communications and business relations. Her favourite part of the job is stewardship—meeting with funders, potential partners, and the hundreds of talented alumni who make up the NSI community.
Before joining NSI, Chris worked at the Women’s Television Network/W Network and the City of Winnipeg.
Known in the office as the “NSI App” for her encyclopedic memory of all things National Screen Institute, Chris can also prove that all roads lead to the Olympics—or figure skating. Seriously, ask her.

Shane Belcourt is a two-time CSA-nominated Director, with award-winning narrative and documentary works in both film and TV. His debut feature film TKARONTO, had a theatrical release, was sold to SuperChannel and Air Canada, and was showcased in both the TIFF Indigenous Cinema Retrospective and the UCLA Film & Television Archive traveling
Shane Belcourt is a two-time CSA-nominated Director, with award-winning narrative and documentary works in both film and TV. His debut feature film TKARONTO, had a theatrical release, was sold to SuperChannel and Air Canada, and was showcased in both the TIFF Indigenous Cinema Retrospective and the UCLA Film & Television Archive traveling exhibition, “Through Indian Eyes: Native American Cinema”. Shane also directed CHANIE WENJACK which Walrus Magazine noted as “the Heritage Minute Canada needs to see”. His most recent feature film, RED ROVER, premiered at the Whistler Film Festival, opened the Canadian Film Festival and was released in March 2020 to glowing reviews.
On the documentary side of things, Shane directed KAHA:WI, which features dancer and choreographer Santee Smith. It premiered at the imagineNATIVE Film + Media Arts Festival, aired on APTN and CBC Docs, and won a CSC Award for Best Cinematography in 2016, along with a CSA Best Director nomination. Shane co-directed (with Lisa Jackson) the CBC one-hour INDICTMENT: THE CRIMES OF SHELLY CHARTIER which won Best Doc at imagineNATIVE. In the Fall of 2020, AMPLIFY, aired on APTN, which Shane created and showran. He was a Consulting Producer (writing room story editor) on CBC's new drama series, THE TRICKSTER.
Shane is an alumna of the TIFF Talent Lab and NSI’s Totally Television programs, a member of the DGC, and is represented by Carl Liberman at The Characters Talent Agency.

Erin Mussolum, Principal of Chickadee Creative Works Inc., has been actively working in the film and television industry for over 25 years - from running her own award-winning documentary production company to producing, writing and developing for many of the top television and radio companies in Vancouver. Her work has been seen on nati
Erin Mussolum, Principal of Chickadee Creative Works Inc., has been actively working in the film and television industry for over 25 years - from running her own award-winning documentary production company to producing, writing and developing for many of the top television and radio companies in Vancouver. Her work has been seen on national outlets such as CBC, Bravo!, CTV, Vision TV, Global, Knowledge Network, Corus and PBS. With a unique career history that has straddled both content production, communications, and writing worlds, Erin knows first-hand the importance of not only creating award-winning content but also communicating that content in an effective way.
She is the former Co-Executive Director and Executive Producer of Vancouver’s award-winning film program Crazy8s Film Society, President of Chickadee Creative a marketing and communications company specializing in the film and television industry, and recently produced a short documentary called “Nude To Me” which is an official selection at Hot Docs International Film Festival, Doxa Documentary Festival and had its broadcast premiere on CBC Gem May 7, 2021. The film has been viewed more than 220,000 times on Youtube.
She is currently Manager of Operations for the Whistler Film Festival and is producing a second set of short scenes with the Directors Guild of Canada on the Virtual Production Stage.
As an entrepreneur Erin offers pitching and development workshops and training, and for fun pitched a new business idea on CBC’s hit show Dragon’s Den and was successful in obtaining a deal.
Erin is a long-standing Leo Awards jury member, former board at The Cinematheque in
Vancouver, and is on the Yorkton Film Festival Programming Committee.

Lowell Dean is a Canadian filmmaker known for his distinctive blend of genres, dark humor, and compelling storytelling. He gained early recognition for writing and directing WOLFCOP and its sequel ANOTHER WOLFCOP, which earned a loyal cult following after their theatrical releases across North America.
The WOLFCOP films garnered several ac
Lowell Dean is a Canadian filmmaker known for his distinctive blend of genres, dark humor, and compelling storytelling. He gained early recognition for writing and directing WOLFCOP and its sequel ANOTHER WOLFCOP, which earned a loyal cult following after their theatrical releases across North America.
The WOLFCOP films garnered several accolades, including the Audience Choice Award for Best Canadian Feature at the Fantasia International Film Festival, Best Horror Feature at the Arizona Underground Film Festival, and the Special Jury Award at the Fantasporto Fantasy Film Festival, along with several Canadian Comedy Award nominations.
Since WOLFCOP, Lowell has expanded his creative range, most recently writing and directing the post-apocalyptic love story DIE ALONE, starring Carrie-Anne Moss, Douglas Smith, and Frank Grillo. The film had its international world premiere at the Sitges Film Festival, where it won the Audience Choice Award before its theatrical release in late 2024.
Lowell's DARK MATCH, a unique wrestling horror film starring Steven Ogg, Ayisha Issa, and Chris Jericho, had its world premiere at the 2024 Fantasia International Film Festival. After generating festival buzz and winning awards (CIFF, FogFest, Blood in the Snow, Sitges), DARK MATCH had a cross-Canada theatrical release and is now streaming on Shudder.
Both DIE ALONE and DARK MATCH have firmly established Lowell Dean as a filmmaker with a strong voice in the world of genre cinema. In addition to his work in feature films, Lowell is currently developing high-concept projects for both comic books and television.

Erin is the CEO for Creative Saskatchewan. She is responsible for the overall operation of the organization, by providing strategic leadership and working closely with the provincial government, industry stakeholders, the Board of Directors, and the senior management team. Erin was Creative Saskatchewan’s first employee, as the Di
Erin is the CEO for Creative Saskatchewan. She is responsible for the overall operation of the organization, by providing strategic leadership and working closely with the provincial government, industry stakeholders, the Board of Directors, and the senior management team. Erin was Creative Saskatchewan’s first employee, as the Director of Programs, and has been heavily involved in the creation of programming right from the start. Previously, Erin was a Program Officer at the Saskatchewan Film Commission and has experience working in Business Affairs for several independent production companies.
Erin obtained her BFA in Film and Video Production and BA in English at the University of Regina. Erin also holds a Certificate in Entertainment Law from the Osgoode Hall Law School. In her spare time, Erin enjoys spending time with her family, especially baking with her daughter, watching the silver screen, and game nights with friends.

Huw Eirug is the CEO of the Nunavut Film Development Corporation (NFDC), established by the Government of Nunavut to increase economic opportunities for Nunavummiut in the screen-based industry.
NFDC provides funding through eight programs for the production and marketing of screen-based media. NFDC’s activities also include strengthening
Huw Eirug is the CEO of the Nunavut Film Development Corporation (NFDC), established by the Government of Nunavut to increase economic opportunities for Nunavummiut in the screen-based industry.
NFDC provides funding through eight programs for the production and marketing of screen-based media. NFDC’s activities also include strengthening labour skills through our industry training workshops and professional development initiatives and providing a ‘guest production’ service via the Nunavut Film Commission.

Dorian Rowe has been a leader in the Canadian screen industries for more than two decades. He served as Executive Director of the provincial Crown corporation responsible for interactive digital media, film, and television in Newfoundland and Labrador. There, and in government, his responsibilities also have included working with the musi
Dorian Rowe has been a leader in the Canadian screen industries for more than two decades. He served as Executive Director of the provincial Crown corporation responsible for interactive digital media, film, and television in Newfoundland and Labrador. There, and in government, his responsibilities also have included working with the music industry, delivering film industry professional development programs, spearheading the establishment of an interactive digital media tax credit, and advocating for the successful creation of an all-spend film tax credit. He has worked in a variety of production and post-production roles including as a writer and editor and as showrunner of two unscripted series. Always keenly involved in the bigger picture of cultural industry growth, he has served on many industry boards and committees, including as co-chair of the National Tax Credit Committee. While responsible for film tax credit and equity investment programs, and serving as provincial film commissioner, production activity more than doubled on his watch.

Lindsay Hamel-Somers brings nearly two decades of professional experience in strategy development, communications, advocacy work and executive leadership across government, non-profit, and private consulting sectors.
Rooted in the creative arts industry, Lindsay’s early career included work on a range of acclaimed productions, including Gu
Lindsay Hamel-Somers brings nearly two decades of professional experience in strategy development, communications, advocacy work and executive leadership across government, non-profit, and private consulting sectors.
Rooted in the creative arts industry, Lindsay’s early career included work on a range of acclaimed productions, including Guy Maddin’s
My Winnipeg, the feature documentary How to Start Your Own Country, and the feature film
The Stone Angel. She also contributed to a variety of other film and television projects in various roles at Buffalo Gal Pictures. In 2007, she participated in the CMPA Producer Mentorship Program.
In addition to her production experience, Lindsay has worked with other nonprofit membership organizations leading strategic initiatives.
Lindsay is a graduate of the Theatre and Film Program at the University of Winnipeg. In 2023, Lindsay was an honoured recipient of the Queen’s Diamond Jubilee Medal in recognition of her community work.

Andrew Williamson is a seasoned producer and industry leader with extensive experience across the Canadian film and television sectors. He has served on the boards of Producing for the Planet, Langara College, and the CMPA – BC Producers Branch, reflecting his broad perspective on industry development and sectoral policy. Andrew has colla
Andrew Williamson is a seasoned producer and industry leader with extensive experience across the Canadian film and television sectors. He has served on the boards of Producing for the Planet, Langara College, and the CMPA – BC Producers Branch, reflecting his broad perspective on industry development and sectoral policy. Andrew has collaborated with partners including the NFB, CBC, Bell Media, Knowledge Network, ARTE/ZDF and NBCUniversal. He has produced award-winning documentaries and feature films, while mentoring emerging filmmakers to help grow the next generation of storytellers. Beyond the screen industry, he advances climate action through advocacy and community engagement.

Sarah Jane is a leading media executive with two decades of experience in developing, producing and programming hit content for television and digital platforms. Sarah Jane has held senior roles in large production companies and at Canada’s leading broadcasting entities. She is currently leading commissioning for BC’s Knowledge Network as Director of Independent Production & Business Affairs.

Frederick Kroetsch (Edmonton, AB) has spent many years both behind and in front of the camera. He spent 2000-2013 as a television presenter on local programs like ShawTV, HelpTV, and Alberta PrimeTime. Recently he appeared as the main point-of-view on a gripping true crime series Dangerous Breed: Crime. Cons. Cats., which premiered on Pea
Frederick Kroetsch (Edmonton, AB) has spent many years both behind and in front of the camera. He spent 2000-2013 as a television presenter on local programs like ShawTV, HelpTV, and Alberta PrimeTime. Recently he appeared as the main point-of-view on a gripping true crime series Dangerous Breed: Crime. Cons. Cats., which premiered on Peacock and USA TV Network. He also appeared alongside his father in the thought-provoking documentary Last of the Fur Traders. Frederick first met Daniel Ennett in 2013 when trying to find a web-series to produce. When their show Invincible was greenlit, Frederick left the world of broadcast journalism to move fully into documentary TV production. The two of them have been making projects that challenge society’s views on disability ever since. He is a lead character in Crip Trip, Season 1 and 2.

Daniel Ennett (Edmonton, AB) is a filmmaker, artist, advocate, and has an on-screen presence in several projects. Daniel hosted/starred in 3 seasons of the web-series Invincible, and the documentary short Beneath the Surface. Both of those projects follow his adventures as an above elbow/knee quadruple amputee where he tried various adapt
Daniel Ennett (Edmonton, AB) is a filmmaker, artist, advocate, and has an on-screen presence in several projects. Daniel hosted/starred in 3 seasons of the web-series Invincible, and the documentary short Beneath the Surface. Both of those projects follow his adventures as an above elbow/knee quadruple amputee where he tried various adaptive sports like skiing, skydiving, and scuba diving with sharks. He did all of this in collaboration with his friend Frederick Kroetsch. He’s also starred in, Form and Function, as well as a short film Lim(b)itless, where he participated in body suspension. He is a lead character in Crip Trip, Season 1 and 2.

Robert Hardy is the Executive Director of ScreenSask . Robert has been working in Canadian television production for over 25 years as an executive, writer, producer & director focusing on documentary, lifestyle & scripted television. Robert helped create one of the world’s first web series in 1997 and has built an extensive network w
Robert Hardy is the Executive Director of ScreenSask . Robert has been working in Canadian television production for over 25 years as an executive, writer, producer & director focusing on documentary, lifestyle & scripted television. Robert helped create one of the world’s first web series in 1997 and has built an extensive network within the media industry since then. He has served as President, Canada for Fireworks Media Group, Senior Vice President Development at Entertainment One, VP Development at Paperny Entertainment, network executive with Bell Media and Senior Communications officer with CBC-Radio Canada. Before that he was a fundraiser, communications director and advertising writer & director.

As founder of EyeSteelFilm, Daniel Cross has been a central figure in the international
documentary community for decades. His process-driven and hyper-personal approach as
director, producer, and educator has had a profound influence on a generation of documentary
filmmakers.
In 1999, Cross traveled to Yorkton to present his very first film
As founder of EyeSteelFilm, Daniel Cross has been a central figure in the international
documentary community for decades. His process-driven and hyper-personal approach as
director, producer, and educator has had a profound influence on a generation of documentary
filmmakers.
In 1999, Cross traveled to Yorkton to present his very first film, a Super 8mm
documentary titled DANNY BOY. After receiving his first Yorkton Jury Award, Cross called his
parents and told them he had a new career. Since then, Cross has attended the festival regularly
and contributed to over 20 Yorkton Golden Sheaf nominated films.
His most recent film as director/producer I Am the Blues, received two Yorkton Golden
Sheaf Awards, along with two Canadian Screen Awards. Cross is a voting member of the
Academy of Motion Picture Arts and Sciences (Oscars) and a Professor at Concordia
University’s School of Cinema.

Responsible for Content Development in Alberta, Saskatchewan and Manitoba, Jim works with external production companies to bring unique documentaries and docu-series to AMI-tv’s national audience.
Along with his 14+ years at AMI working directly with the disability community, Jim brings with him many years of experience in production and p
Responsible for Content Development in Alberta, Saskatchewan and Manitoba, Jim works with external production companies to bring unique documentaries and docu-series to AMI-tv’s national audience.
Along with his 14+ years at AMI working directly with the disability community, Jim brings with him many years of experience in production and post-production. Jim graduated NAIT's Radio & Television Arts program in 1988 specializing in editing, beginning his career at ITV in Edmonton. Since then, he has owned 2 production companies writing, shooting & editing projects. Jim has sat on both sides of the table, pitching projects and evaluating incoming pitches. He understands the challenges of the production environment and strives to treat every producer and project with respect.

Steve Allen is a principal partner, founding member and a Producer and Director with the Wavelength Entertainment Group and is responsible for major decisions on key issues for the Wavelength Entertainment Group of companies.
Steve has worked in the television industry as a Director and/or Director of Photography on commercials and d
Steve Allen is a principal partner, founding member and a Producer and Director with the Wavelength Entertainment Group and is responsible for major decisions on key issues for the Wavelength Entertainment Group of companies.
Steve has worked in the television industry as a Director and/or Director of Photography on commercials and documentary series since 2001 for History Television, Discovery Channel, Discovery Military, The Smithsonian Channel US, A&E Biography, and TLC.
In 2009 he won the Showcase best Photography award In 2005 for Worksafe Saskatchewan “Hospital” commercial, He was nominated for a Canadian Society of Cinematographers C.S.C. Award for Best Cinematography for his work on the documentary Escape from Iran, which was also nominated for a Gemini Award. He was nominated for a Showcase Award for Best Cinematography in a Documentary for the series Crime Stories. He has also been nominated for a Showcase Award for Best Visual Effects.

Cara Nye is a media executive dedicated to authentic, inclusive storytelling. Since joining AMI-tv in 2012, she has built a strong track record in Canadian broadcasting, developing a range of impactful series including Pretty Blind, We Were Broncos, Crip Trip, and Underdog Inc. Cara is responsible for screening pitches, show development,
Cara Nye is a media executive dedicated to authentic, inclusive storytelling. Since joining AMI-tv in 2012, she has built a strong track record in Canadian broadcasting, developing a range of impactful series including Pretty Blind, We Were Broncos, Crip Trip, and Underdog Inc. Cara is responsible for screening pitches, show development, and ensuring that all content meets AMI’s standard bearing qualities with respect to disability storytelling and inclusivity in all areas of original production – both on camera and behind the scenes.
Cara and AMI’s work continuously champions content that challenges norms and reflects the richness of the lived experience of underrepresented voices in the disability community.
Cara has over 35 years of production experience, having previously worked at networks such as MuchMusic, Citytv, OMNI, FX Canada, OLN and Bio.

Stephen Sawchuk is an award-winning Writer/Director/Producer based in Vancouver, British Columbia with a wealth of experience executing large-scale scripted & unscripted projects. With nearly 15 years of experience under his belt, Stephen has produced well over 120 hours of television for networks and streamers including Apple TV, MGM, Pe
Stephen Sawchuk is an award-winning Writer/Director/Producer based in Vancouver, British Columbia with a wealth of experience executing large-scale scripted & unscripted projects. With nearly 15 years of experience under his belt, Stephen has produced well over 120 hours of television for networks and streamers including Apple TV, MGM, Peacock, HGTV, E, Blue Ant Media, Lifetime and many others. Stephen has had the pleasure of working with Academy Award-winning and Grammy-winning A-list talent, and has produced projects across North America, the UK and the EU. Select credits include ‘Sidney’ (TIFF official selection, feature film), 'BRATS' (Tribeca official selection, feature film), ‘Women Who Rock’ (4 x 1 hour docu-series), ‘Baking Spirits Bright’ (TV Movie) and ‘Love it or List it Vancouver’ (75 x 1 hour lifestyle series). His short film, 'Hell is a Teenage Girl' held its Canadian premiere at Fantasia International Film Festival, and has gone on to receive nominations & win awards at festivals across the world. Stephen is currently in development on a feature-length adaptation of the project, which was selected for the Blood in the Snow Feature Film Development Lab in 2024.

Sean is an award winning producer, writer, and director. Over the past 15 years, he has created and run more than 200 hours of television for major networks across Canada and around the world. He is a specialist at creating and running large scale reality, social experiment, documentary and real estate series. Credits include: Bachelor Ca
Sean is an award winning producer, writer, and director. Over the past 15 years, he has created and run more than 200 hours of television for major networks across Canada and around the world. He is a specialist at creating and running large scale reality, social experiment, documentary and real estate series. Credits include: Bachelor Canada, Border Security, Love It Or List It, Jillian and Justin, Urban/Suburban, Cheer Squad, Cupcake Girls, Liquidator and many more. Sean has also launched a number of Online Platforms, International Ad campaigns and is experienced in product integration for television. Clients include tourism agencies across Canada, USA, Mexico, Tahiti and the Caribbean. He has also worked with major brands including Nutrl, Nestle, Sunwing, Molson, Colgate and many more. In a previous life, Sean was a Senior Writer/ Reporter for CBC, and a London-based journalist for BBC World Television.

Charlotte Engel has over 30 years of experience in film and television as a producer, writer and broadcaster. She recently wrote and produced a mockumentary series entitled “Happy Trails Photography” for Bell Fibe Channel 1 and produced, wrote and directed an episode of CBC’s “Land and Sea” about cinnamon rolls called “The Great Cinnamon
Charlotte Engel has over 30 years of experience in film and television as a producer, writer and broadcaster. She recently wrote and produced a mockumentary series entitled “Happy Trails Photography” for Bell Fibe Channel 1 and produced, wrote and directed an episode of CBC’s “Land and Sea” about cinnamon rolls called “The Great Cinnamon Roll Debate”. While at CBC, she oversaw CBC’s cutting edge documentary strands Firsthand and CBC Docs POV. She specialized in bringing unique voices and unforgettable stories to CBC. Many of these documentaries won multiple awards ( “Indictment: The Crimes of Shelley Chartier”, “Nipawistamasowin: We Will Stand Up” and “The Skin We’re In”).
As a producer of documentaries for Rock Yenta Productions, she brought docs to CBC, TVO and the Documentary Channel. She won a Canadian Screen Award for “My Millennial Life” and a Golden Sheaf award for “Mugshot”.
Residing in PEI, Engel currently is on the board of Film PEI and Charlottetown Film Society and is also on the Yorkton Film Festival programming committee. She has previously sat on the boards of Hot Docs, DOC Ontario and imagineNATIVE.
Engel is a storyteller at heart, always searching for the next story to tell. Fortunately, PEI and Canada are full of wonderful and important stories to bring to light.

Sometime between the invention of colour television and the first HD broadcast in Canada, Joanne McDonald’s world has mostly been filled with screen-based media (which until recently was better known as film and television) and lots of coffee.
As the General Manager for Citytv Saskatchewan she’s involved in all aspects of broadcasting
Sometime between the invention of colour television and the first HD broadcast in Canada, Joanne McDonald’s world has mostly been filled with screen-based media (which until recently was better known as film and television) and lots of coffee.
As the General Manager for Citytv Saskatchewan she’s involved in all aspects of broadcasting- from operations to programming. The station is a provincial educational broadcaster and was called SCN in a former life.
Over the years she has helped bring many hours of content from Saskatchewan and beyond to screens and audiences. A number of titles have won national and international awards –and have gone on to be licensed in other markets around the world.
When she’s not running a TV station, you can find her volunteering for arts and cultural organizations- at present she sits on two Boards of Directors: SaskCulture (Past President) and the Yorkton Film Festival. She also gets to vote as a member of the Academy of Canadian Cinema & Television and belongs to Women in Communications and Technology. In the past she was on the board of the Saskatchewan Media Producers Industry Association and was a member of the Saskatchewan Arts Board’s Creative Industries Advisory Committee. In her other spare time she likes to make jelly salads, pull weeds in the garden and travel. And watch TV - of course.
Although her dad remains skeptical to this day, there is proof that someone with a philosophy degree can get a real job.

As the Program Manager, Original Production (Citytv, OMNI, Citytv Sask), Rogers Sports and Media, Will Dixon oversees the development and production of original homegrown programming for the Rogers owned station.
Prior to this position, Will spent three years as a Regional Development Executive for the premium pay television network
As the Program Manager, Original Production (Citytv, OMNI, Citytv Sask), Rogers Sports and Media, Will Dixon oversees the development and production of original homegrown programming for the Rogers owned station.
Prior to this position, Will spent three years as a Regional Development Executive for the premium pay television network Super Channel. Before that Will worked primarily in TV production spending almost 20 years writing, directing, story editing, and producing series and movies everywhere from Toronto to Vancouver to Montreal to Edmonton to Regina to Los Angeles.

Kaya Wheeler, Program Manager, Indigenous Screen Office, is of Anishnaabe and Nehiyaw descent – is a registered member of Sagkeeng First Nation in Manitoba. She graduated from the University of Winnipeg with a bachelor of arts in Indigenous Studies, and has been working within the Indigenous community in Winnipeg for more than 10 yea
Kaya Wheeler, Program Manager, Indigenous Screen Office, is of Anishnaabe and Nehiyaw descent – is a registered member of Sagkeeng First Nation in Manitoba. She graduated from the University of Winnipeg with a bachelor of arts in Indigenous Studies, and has been working within the Indigenous community in Winnipeg for more than 10 years.
She has spent a large portion of this time working with Indigenous youth in many areas, including acting and storytelling for theatre. For the last five years she has specifically worked with emerging and mid-career storytellers in film, tv and digital media.
She has had experience both volunteering and working on film sets, and even had a small stint on the stage and in front of the camera.

Jon Taylor is a media executive based in Toronto, Canada. Jon is the CEO of the Independent Production Fund, one of Canada's oldest funding agencies and a pioneer in digital series development and production financing. Prior to joining the IPF, Jon was VP of Digital Content & Strategy at Bell Media where he led the launch of Crave, Canad
Jon Taylor is a media executive based in Toronto, Canada. Jon is the CEO of the Independent Production Fund, one of Canada's oldest funding agencies and a pioneer in digital series development and production financing. Prior to joining the IPF, Jon was VP of Digital Content & Strategy at Bell Media where he led the launch of Crave, Canada’s premiere streaming platform. Prior to that Jon was Executive Producer of CTV Network and has worked as a producer for Discovery, ESPN, MTV, the United Nations, the Academy Awards and at the Olympic Games.

Jason Bohn began his career in Film & Television in 1996, and over the past 30 years, has held positions in many departments, maintaining focus on being a 1st Assistant Director.
His talent and skill in that position has given him the good fortune of working across the country on numerous productions with local producers, as well as compan
Jason Bohn began his career in Film & Television in 1996, and over the past 30 years, has held positions in many departments, maintaining focus on being a 1st Assistant Director.
His talent and skill in that position has given him the good fortune of working across the country on numerous productions with local producers, as well as companies such as Sony, Lionsgate and Hallmark. In addition to being a highly regarded 1st AD, Jason has also been called upon to produce, direct, mentor trainees and “fix” numerous projects.
As the current Chair of DGC Saskatchewan and a member of ScreenSask’s board of directors, Jason brings his hands-on knowledge and production expertise to assist in governance leadership. His aim is to help build the infrastructure needed to grow and expand the industry here in Saskatchewan.

Kyle Irving, O.M., is Co-owner and Executive Producer of Indigenous-owned Eagle Vision, one of Canada’s leading independent production companies. Irving has produced more than 300 hours of acclaimed film and television content and currently also serves as Chair of the National Board of Directors of the Canadian Media Producers Association
Kyle Irving, O.M., is Co-owner and Executive Producer of Indigenous-owned Eagle Vision, one of Canada’s leading independent production companies. Irving has produced more than 300 hours of acclaimed film and television content and currently also serves as Chair of the National Board of Directors of the Canadian Media Producers Association (CMPA).
His feature film credits include the seven-time Canadian Screen Award–nominated Deaner '89; the multiple CSA-nominated Bones of Crows; Orphan: First Kill; the 11-time CSA-nominated and five-time award-winning Night Raiders; the Academy Award–, Golden Globe–, and BAFTA-winning Capote; and the landmark documentary We Were Children, along with Blue State, Walk All Over Me, Reasonable Doubt, and Lovesick.
In television, Irving received CSA nominations for Best Dramatic Series for both SkyMed (Paramount+ and CBS Studios) and Burden of Truth (CBC, The CW, Hulu, and Universal UK). Additional producing credits include the 12-time CSA-nominated Bones of Crows: The Series (CBC, APTN, and Fifth Season); five seasons of the CSA-nominated true-crime series Taken (APTN, CBC, and Sphere Abacus); and the Emmy-nominated global hit Ice Road Truckers (History).
Collectively, Irving’s productions have received 60 Canadian Screen Award nominations, with 12 wins. His projects have also earned five Academy Award nominations, including one win; two Emmy nominations, including one win; five BAFTA nominations, including one win; five Independent Spirit Award nominations, with three wins; a Golden Globe Award; five Shorty Award nominations, with two wins; and four Banff Rockie Award nominations, with two wins, including being named Innovative Producer of the Year in 2022.
A proud resident of Winnipeg in Treaty One territory, Irving was appointed to the Order of Manitoba in 2021, Manitoba’s highest honour, in recognition of his contributions to the arts, his support of emerging talent, and his impact on the cultural life of Manitoba and Canada.
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